I’ve just returned to my desk in the icehouse loft after meeting with Glen and Tony on the west deck. It’s Monday morning, beginning of the work week, riddled with scheduling and coordination challenges. But we’ve chugged through deadlines and priorities, assembled a working strategy (of sorts), and agreed to keep in constant communication as hours turn into days turn into a week. There’s something about the first hours of the first day of the work week that promotes optimism, that supercharges me. So much opportunity. So many objectives. And time. Still. But not for long. It strikes me that Mondays and waterways have certain similarities.

Both are Mondays and waterways beginnings. Yet both are also integral parts of a bigger continuum.

Mondays & Waterways
Mondays are headwaters for new weeks, and waterways are points of embarkation for new journeys. Both suggest direction, a sense of movement, even progress. Both return to their birthplaces. Mondays, filled from still pools on Sunday, flow into a current of productivity only to drift into the weekend, to revitalize and begin again. Waterways, whether lethargic ponds or rivulets swollen into rivers by rain and runoff, are pulled toward a distant sea to evaporate, to rain down, to recycle adventures anew. Sometimes turbulent and sometimes tranquil. Sometimes meandering and sometimes cascading. Sometimes barely filling and sometimes flooding their contours. Always flowing, resisting stagnation, insisting on movement, current pulling us onward.

Wild Continuum
This wild continuum of Mondays and waterways flows from our morning meeting into the icehouse with me as I return to write and edit. Like a tide incoming, following some mysterious metronome powered by moon and magic, the surf lifts me above the race from today to tomorrow to Friday. I feel connected to the flux and flow. I feel connected to the icehouse. To Rosslyn. I stare into a pair of paintings by Kevin Raines that hang in the vestibule. Deluge Descent. And an untitled watercolor that brings the viewer into a silvan brook-scape. Or, the brook into the icehouse. Both, all, connected.
The experience of home is about being connected. — Kevin Raines (Source: “A Path of Many Guides: Painting a Way Home, Spring 2022 Lyceum Series: Making Home, The Grange, March 1, 2022)
[…]
[Kevin Raines’] singular portrayals of thriving places within the Blue Line concurrently welcome the Adirondacks’ natural environment into Rosslyn *AND* welcome us into the places he paints.
Thank you, Kevin,… for imbuing Rosslyn, Susan, and my lives with gentle wildness. (Source: Kevin Raines: Painting Home)
More images now of Kevin’s waterway paintings (including a marsupial archive on the reverse of the painting above that includes a canoe and paddlers in the painting above.) This connection to waterways — Susan, Carley, and my connection — permeates our Rosslyn lifestyle. Even inside our home and icehouse. Via view. Via art. The former, at the top of this post, were quick snips from that view this morning.


Mondays. And waterways…


What do you think?